Digital Chemistry Archival pigment print 100x125cm
I made physical prints with chemicals, scanned them, and manipulated the colours digitally, which I refer it to “processing with digital chemicals”. During the time of the pandemic, I sensed the gap between the social construct from the virtual world and the subsequently increasing desire for it to happen in the physical world. This led me to feel pointless about existing in a physical sense. The visualisation of such frustration in my work implies how the physical interactions and sensory are altered and limited online. At the same time, however, I discovered new ways of complex emotional and psychological interactions* that could be born from the limitations. In this work, I ask how the limitations could be viewed as a promise of possibilities for the future.